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This book is particularly enjoyable as an academic work that is not laden with footnotes and unnecessary references to secondary material. My only complaint is enlla, while he draws great insights out of Biblical texts, he is unnecessarily polemical in ways that are not important to his argument.
Auerbach’s main theme is the issue of how reality is lettsratura in literature, particularly how a relatively strict separation of styles and classes gave way in slips and bursts towards a more modern sense of realism in which everyday accidentals could be imbued with tragic weight.
Each chapter benefits from close readings of the texts, and extensive quotations in the original language. Along the way, he makes a side by side comparison of, say, the Odyssey and Exodus seem like something you might do for fun. Oct 12, Justin Lau rated it really liked it. And I honestly do believe that reading it will make you a better reader and a better writer. His insights into all this literature go beyond supports for his primary thesis, and the informed reader will find himself enlightened and challenged at every turn.
I was particularly impressed with his analysis of medieval literature and its reaction to classical norms, a topic which I know nothing about, but also his look at Virginia Woolf. But this process lefteratura always also reacts upon the frame, which requires enlarging and modifying.
I am not sure when we started but it took us a couple of years. A half-century after its translation into English, Erich Auerbach’s Mimesis still stands as a monumental achievement in literary criticism. For many readers, both inside and outside the academy, “Mimesis” is among the finest works of literary criticism ever written.
And not only does he realismk you that he knows his way around these texts exceptionally well, but he also manages to convince you, as reader, aurbach you are also clever enough to understand how the style and structure of these passages can be unpacked to reveal how these writers carried out their task of representing the world on paper.
Jan 03, Barry rated it it was amazing. Nov 04, Seana rated it it was amazing. Fortunately the Trask translation includes some sort of translation of each piece into English, with the help of which anyone with a basic occifentale of Romance languages ought to be able at least to pick their way through most of the texts.
Ranging mimesiw works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. With Boccaccio comes the exaggeration of that visceral individuality, the primacy of sensory experience and depiction. Home Groups Talk Zeitgeist.
Mimesis: The Representation of Reality in Western Literature – Wikidata
Had we but world enough and time And it is most concretely visible now in the unprejudiced, precise, interior and exterior representation of the random moment in the lives of nellz people. I sure am glad I did. Even Odysseus, in whose case the long lapse of time and the many events which occurred offer so much opportunity for biographical development, shows almost nothing of it.
Goethe and Schiller are brought in only to be hauled over the nwlla for being too conservative, and most other 19th century German writers are dismissed as too provincial. From there we go forth through the later Romans, the medieval romances and passion plays, eltteratura romance, Montaigne’s essays and the role of the author, Don Quixote, the 19th century Germans, the French authors of Balzac, Stendhal, and Flaubert, and concludes with the high modernists of Joyce, Woolf, and Proust.
There he wrote Mimesispublishing it in German after the end of the war. For a theory book especially, this occkdentale Every essay I’ve read so far has been really interesting which is only three. As the chapters progress, he begins to make references to writers’ advancements in portraying the world, which culminates for him in the post-realist works of Woolf. The strata of societies and there different ways of life have become inextricably mingled.
Mimesis. Il realismo nella letteratura occidentale
Auerbach is the dreamguide in literature. The first chapter, Odysseus’ scar, is still used by classicists today. Definitely a challenging and satisfying book to read, but it’s also one that is likely to leave you with a much higher TBR pile than you started with Jul 14, Jim Coughenour rated it it was amazing Shelves: He traces the main impetus behind this trend to Christianity, particularly the manner in which the story of Mimezis broke down traditional literary barriers by allotting tragic weight and grand importance to people who were frequently from the lowest classes of society.
The result is a masterpiece of close readings with a fascinating common thrust. It is still a long way to a common life of mankind on earth, but the goal begins to be visible.